| Abstract | Cilj ovog diplomskog rada bio je istražiti kako je prikazano djetinjstvo Luke Modrića
u njegovoj autobiografiji Moja igra. Radi se o narativnom novinarstvu, s obzirom na to da je
djelo napisao Robert Matteoni, istaknuti hrvatski sportski novinar. Luka Modrić je u
autobiografiji ujedno pripovjedač, lik i autor te zauzima glavnu ulogu. Djelo je napisano u
prvom licu. Kao lika u svojoj autobiografiji, Luka Modrić se prikazao kao izrazito skroman
dječak koji je bio privržen obitelji. Tome najbolje svjedoči podatak da mu je bilo izrazito teško
napustiti rodno mjesto i odseliti u Zagreb. Smatram da je djetinjstvo nogometaša nedovoljno
istražena tema, a u ovom slučaju radi se o kvalitativnoj narativnoj analizi. Kontekst djetinjstva
je bitan za odrastanje čovjeka, a otkrivanjem nečijeg djetinjstva saznajemo puno i o nečijem
privatnom životu te tako dobivamo drugačiju percepciju o nekoj osobi, u ovome slučaju o Luki
Modriću. Kao i u većini autobiografija, događaji se odvijaju kronološki. Modrića upoznajemo
njegovim rođenjem i njegovim djetinjstvom, a kao prekid tog perioda uzet je trenutak njegovog
preseljenja u Zagreb. U samom djelu može se uočiti nekoliko elemenata koji se ponavljaju kroz
Modrićevo djetinjstvo, a rezultati analize ustvrdili su da su to prije svega nogomet, obitelj i
prijatelji. Tako je i sam Modrić sebe uspio prikazati kao osobu odanu svojoj obitelji, ali i
samouvjerenu kada je u pitanju nogomet i njegov nogometni put. Naracijom smo spoznali
elemente kojima je Modrić kod čitatelja i svojih pratitelja želio izazvati emociju i suosjećanje.
Djelo je u narativnom kontekstu zadovoljilo sve elemente koji ga čine i narativnim
novinarstvom. |
| Abstract (english) | The goal of this master thesis was to explore how Luka Modrić's childhood had been portrayed in his autobiography Moja igra (My Game). Since the book was written by Robert
Matteoni, a prominent Croatian sports journalist, it can be categorized as narrative journalism.
In his autobiography, Luka Modrić is a narrator, a character, and an author, all at once, and he takes the lead role. The piece is written in the first person. As a character in his autobiography,
Luka Modrić portrayed himself as a modest boy, who was very close to his family, which is best evidenced by the fact that it was extremely difficult for him to leave his birthplace and move to Zagreb. I consider football players' childhood to be an insufficiently researched topic, and this book can be considered a qualitative narrative analysis. The context of a person's childhood is pretty important for that person's growing up, and by exploring someone's childhood, we can learn a lot about his private life and, thus, gain a different perception of that person, in this case of Luka Modrić. As in most autobiographies, events take place in chronological order. We begin to get to know Luka Modrić with his birth and during his childhood, and the moment of his moving to Zagreb was introduced as an interruption of that period. In this piece, several elements that are repeated throughout Modrić's childhood can be observed, and the results of the analysis showed that those are primarily football, family, and friends. Thus, Modrić managed to present himself not only as a person loyal to his family but also self-confident when it comes to football and his career. Through the narration, we learned about the elements Modrić used intending to provoke emotion and compassion in readers and his followers. In the narrative context, this piece has satisfied all the elements that make it narrative journalism. |
