Zagreb kao scenografija Novog vala: analiza serija "Smogovci" i "Crno-bijeli svijet"

master's thesis

• Title (english): Zagreb as the New Wave scenography: Analyzing television series "Smogovci" and "Crno-bijeli svijet"
• Author: Lucija Živković
• Mentor: Zlatan Krajina (mentor)
• Committee member: Zlatan Krajina (predsjednik povjerenstva)
• Committee member: Gordana Vilović (član povjerenstva)
• Committee member: Marijana Grbeša-Zenzerović (član povjerenstva)
• Granter: University of Zagreb; The Faculty of Political Science; (Department of Journalism and Media Production); Zagreb
• Defense date and country: 2016-06-20, Croatia
• Scientific / art field, discipline and subdiscipline: SOCIAL SCIENCES; Information and Communication Sciences; Journalism

Abstract

Analiza narativa odabranih sekvenci u serijama „Smogovci“ i „Crno - bijeli svijet“ poslužila je kao podloga za istraživanje je li grad Zagreb scenografija pokreta novog vala unutar društveno- političkog sistema u Socijalističkoj Federativnoj Republici Jugoslaviji. Grad kao scenografija novog vala argumentirana je pojmom serije kao filmske kartografije koja omogućava gledatelju da putuje kroz prošlost grada i društva i tako doživljava cijelu paletu osjećaja, od kojih je najdominantniji osjećaj nostalgije i sjete. Neki od glavnih pojmova kroz kojih su analizirani odnosi grada i medija su: pojam flâneura Waltera Benjamina- urbanog šetača koji promatra grad kroz sve njegove mijene, glazba i kinematografski oblik serije kao medij koji sudjeluje i bilježi promjene u društvu, te socijalistička svakodnevica kao političko- društveni sistem u kojem se događa razdoblje novog vala koji je dominantna tema ovog rada. Naposljetku, rad pokazuje kako je Zagreb scenografija i filmska kartografija novog vala u serijama „Smogovci“ i „Crno - bijeli svijet.“

Abstract (english)

Narrative analysis of the selected sequences in the television series „Smogovci“ and „Crno - bijeli svijet“were used as a base for exploring whether the city of Zagreb was a scenography for the new wave movement in the social- political system of the Socialist Federal Republic of Yugoslavia. The scenography of the city argued with the concept of television series as a movie cartography that allows the viewer to travel through the history of the city and of society and thus experiencing a whole range of feelings, of which the most dominant are sense of nostalgia and melancholy. Some of the key concepts through which the relations of the city and the media are analyzed are: the term flâneur by Walter Benjamin- an urban walkers who looks at the city through all its changes, music and television series as a cinematographic form that participates and records changes in society, and the socialist daily routine as a socio- political system in the period of the new wave movement which is the dominant theme of this work.

• Keywords: Smogovci; Crno- bijeli svijet; novi val; socijalizam; Zagreb; flâneur; filmska kartografija; socijalistička svakodnevica
• Keywords (english): Smogovci; Crno- bijeli svijet; new wave; socialism; Zagreb; flâneur; movie cartography; socialist daily routine
• Language: croatian
• URN:NBN: urn:nbn:hr:114:743707
• Study programme: Title: Journalism; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra novinarstva (magistar/magistra novinarstva)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2016-11-25 11:23:50