Etnografski dokumentarni film kao žanr: Primjer prikaza perspektive mladih iz ruralnih dijelova Hrvatske

master's thesis

• Title (english): Ethnographic documentary as a film genre: Insight into perspective of younger population from rural parts of Croatia
• Author: Mijo Bežovan
• Mentor: Tena Perišin (mentor)
• Committee member: Domagoj Bebić (predsjednik povjerenstva)
• Committee member: Sanjin Dragojević (član povjerenstva)
• Committee member: Tena Perišin (član povjerenstva)
• Granter: University of Zagreb; The Faculty of Political Science; (Department of Journalism and Media Production); Zagreb
• Defense date and country: 2016-09-19, Croatia
• Scientific / art field, discipline and subdiscipline: SOCIAL SCIENCES; Information and Communication Sciences; Journalism

Abstract

U ovom diplomskom radu cilj je bio opisati etnografski dokumentarni film kao žanr koji se danas sve češće koristi i kao dio znanstvenih istraživanja. Etnografski film zbog toga nema jedinstvenu definiciju jer balansira između umjetnosti i znanosti. U radu je kroz terensko istraživanje opisano snimanje etnografskog dokumentarnog filma putopisnog stila, uvodno je kroz teorijski dio opisan dokumentaran film, putopis, etnografski film i etnografija.
Etnografski film nije samo reprezentacija stvarnosti, on je i konstrukcija i interpretacija neke druge stvarnosti na temelju konvencija redateljeve kulture. Razvoj etnografskog filma i vizualne antropologije ponajviše je ovisio o brzom tehnološkom napretku i dostignućima koja su direktno utjecala na promjene paradigme vizualno-antropoloških teorija s obzirom na novonastale mogućnosti korištenja filmske opreme na terenu. U suvremenim etnografskim audiovizualnim uradcima češće dolazi do rodovskih i izlagačkih miješanja, naročito između igranog, dokumentarnog, a ponekad i eksperimentalnog filma, ali i u tom slučaju kod rodovskog razgraničavanja kao presudni kriterij uzimaju se dominantne karakteristike, bez obzira što filmovi dijele sporedne karakteristike s ostalim rodovima.
Tijekom snimanja etnografskog filma koriste se metode koje se koriste i u osnovnoj etnografiji, ali konstruiranje etnografskog pisma i filma unekoliko je slično: etnograf bilježi i interpretira društvene pojave i događaje koje promatra da bi ih potom u etnografskoj reprezentaciji opisao iskazujući implicitnu analizu i vizuru. Razliku, pak, između dvaju načina reprezentacije čine mediji u kojima se oni ostvaruju i koji im uvjetuju mogućnosti i načine izražavanja. Pišući etnografsko pismo etnograf se služi tekstom — transkribira bilješke s terena te tako tvori tekst koji će potom uporabiti u konstrukciji nove tekstualne, opisne i analitične znanstvene poruke. Za razliku od toga, bilješke s terena koje će poslužiti u nastajanju etnografskoga filma prikuplja kamera.

Abstract (english)

Aim of this work was to describe the ethnographic documentary film as a genre that is now increasingly used as part of scientific research. Ethnographic film because of that has no single definition as it is a balance between art and science. The paper through field research described recording of one ethnographic documentary film travelogue style, through the introductory theoretical part describes the documentary film, travelogue, ethnographic film and ethnography.
Ethnographic film is not only a representation of reality, it is the construction and interpretation of another reality based on the director's convention culture. Development of ethnographic film and visual anthropology largely depended on the rapid technological progress and achievements that are directly affected by the changes the paradigm of visual anthropology with regard to the new possibilities of film equipment in the field. In contemporary ethnographic audio-visual work often comes to the genus and exhibition interference, particularly between the feature, documentary, and sometimes experimental film, but in this case with genus demarcation as a crucial criterion taken a dominant feature, regardless of what movies share secondary characteristics with other families.
During the recording of ethnographic film used methods used in primary and ethnography, or constructing ethnographic writing and the film is somewhat similar: ethnographer records and interprets social phenomena and events that observing and then deliver them in the ethnographic team described expressing implicit analysis and vision. The difference, however, between the two modes of representation make the media in which they can express themselves and that they condition the possibilities and ways of expression. Writing ethnographic letter ethnographer to serve the text - transcribed notes from the field to form a text which will then be used in construction of the new text, descriptive and analytical scientific messages. In contrast, field notes, which will be used in the making of ethnographic film collects camera.

• Keywords: etnografski film; putopis; dokumentarac; etnografija; terensko istraživanje; umjetnost; znanost
• Keywords (english): ethnographic film; travelogue; documentary; ethnography; field research; art; science
• Language: croatian
• URN:NBN: urn:nbn:hr:114:262168
• Study programme: Title: Journalism; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra novinarstva (magistar/magistra novinarstva)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2016-11-17 13:41:39