Rodna ravnopravnost u filmovima nominiranima za Zlatnu arenu na Pulskom filmskom festivalu 2010.-2020.

master's thesis

• Title (english): Gender Equality in the Movies Nominated for the Golden Arena Award at the Pula Film Festival 2010-2020
• Author: Tena Tuzla
• Mentor: Viktorija Car (mentor)
• Committee member: Viktorija Car (predsjednik povjerenstva)
• Committee member: Dina Vozab (član povjerenstva)
• Committee member: Zlatan Krajina (član povjerenstva)
• Granter: University of Zagreb; The Faculty of Political Science; Zagreb
• Defense date and country: 2021-09-14, Croatia
• Scientific / art field, discipline and subdiscipline: SOCIAL SCIENCES; Information and Communication Sciences; Journalism

Abstract

Ovaj rad analizira rodnu ravnopravnost u filmovima koji su bili nominirani za, odnosno koji su osvojili Veliku zlatnu arenu za najbolji film na Pulskom filmskom festivalu u periodu od 2010. do 2020. godine, koristeći metode kvalitativne analize sadržaja i analize narativa. Kako bih otkrila postoji li rodna neravnopravnost u režijskom sektoru, ali i samom sadržaju pobjedničkih filmova, analizirala sam pojedine prikaze ženskih i muških likova, okvir unutar kojeg su prikazani te njihove odnose.
Žene su u analiziranim filmovima prikazane kao podrška protagonistu, iako nisu uvijek sporedni likovi. Prikazane su kao submisivne i pasivne; one su majke, supruge i kćeri, određene isključivo svojim odnosom s muškarcima. Iako su u nekim od filmova protagonistice, njihovo djelovanje pod utjecajem je muškarca – protagonista iz sjene. Muškarci su prikazani kao dominantni, asertivni i bez emocija; oni su oličenja patrijarhata. Direktno ili indirektno pokreću radnju, iako nisu uvijek protagonisti.
Patrijarhat se u filmovima koje je filmski festival u Puli procijenio najvrjednijima u analiziranom razdoblju ne ogleda kroz velike stvari – to su sitnice koje smo kao društvo toliko normalizirali da i sami nesvjesno sudjelujemo u njima.

Abstract (english)

This paper analyzes gender equality in films that were nominated for, i.e. that won the Grand Golden Arena for best film at the Pula Film Festival in the period from 2010 to 2020, using methods of qualitative content analysis and narrative analysis. In order to find out whether there is gender inequality in the directing sector, but also in the content of the winning films, I analyzed individual depictions of female and male characters, the framework within which they’re shown and their relationships.
In the analyzed films women are portrayed as support for the protagonist, although they are not always supporting characters. They are presented as submissive and passive; they are mothers, wives and daughters, determined solely by their relationship with men. Although they are the protagonists in some of the films, their actions are influenced by a man - the protagonist from the shadows. Men are portrayed as dominant, assertive, and emotionless; they are the embodiment of patriarchy. They initiate action directly or indirectly, although they are not always the protagonists.
Patriarchy is not reflected in the big things in the films that the Pula Film Festival considered the most valuable in the analyzed period - these are small things that we as a society have so normalized that we ourselves unconsciously participate in them.

• Keywords: Pulski filmski festival; rodna ravnopravnost; rodni stereotipi; patrijarhat u filmu
• Keywords (english): Pula Film Festival; gender equality; gender stereotypes; patriarchy in film
• Language: croatian
• URN:NBN: urn:nbn:hr:114:758717
• Study programme: Title: Journalism; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra novinarstva (magistar/magistra novinarstva)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2022-01-17 11:26:29