Reprezentacija rurbanog identiteta Zagreba u filmovima Kreše Golika

master's thesis

• Title (english): Representation of Rurban Identity of Zagreb in the Films by Krešo Golik
• Author: Laura Jeletić
• Mentor: Zlatan Krajina (mentor)
• Committee member: Zlatan Krajina (predsjednik povjerenstva)
• Committee member: Dina Vozab (član povjerenstva)
• Committee member: Petra Kovačević (član povjerenstva)
• Granter: University of Zagreb; The Faculty of Political Science; Zagreb
• Defense date and country: 2024-09-13, Croatia
• Scientific / art field, discipline and subdiscipline: SOCIAL SCIENCES; Information and Communication Sciences

Abstract

Analiza narativa odabranih scena filmova „Imam 2 mame i 2 tate“ (1968.), „Tko pjeva zlo ne misli“ (1970.) i „Ljubica“ (1978.) redatelja Kreše Golika poslužila je za istraživanje o ruralnom identitetu grada Zagreba. Takav identitet se može zahvaliti pojavi modernosti u Zagrebu čiji se elementi također mogu očitati u filmovima. Rurbanizacija i modernizacija se očitavaju u ponašanju likova u filmu te u životima koje vode u gradu Zagrebu, a iz kadrova koji prikazuju grad se spomenuti fenomeni očitavaju i u arhitekturi. Zahvaljujući analizi napose se prepoznaju novi društveni sloj koji nastaje u drugom valu modernizacije, kao i viši društveni standard te uvažavanje liberalnih vrijednosti. Također, prikazom grada Zagreba na filmu uočavaju se riječi teoretičara koji upućuju na termine koji označavaju djelovanje grada na pojedinca, kao što su performans u građana, dvojaka atmosfera gradskog života, melankolija pri traganju za prošlim vremenom, „miksofobija“ i „miksofilija“ te grad kao mjesto izolacije.

Abstract (english)

Narrative analysis of selected scenes from the films "I Have 2 Moms and 2 Dads" (1968), "One Song a Day Takes Mischief Away" (1970) and "Violet" (1978) directed by Kreša Golik was used for research on the rural identity of the city of Zagreb. Such an identity can be attributed to the emergence of modernity in Zagreb, elements of which can also be read in films. Urbanization and modernization can be seen in the behavior of the characters in the film and in the lives they lead in the city of Zagreb, and thank to the shots of the city the mentioned phenomena can also be seen in the architecture. Thanks to the analysis a new social layer emerging in the second wave of modernization, as well as a higher social standard and respect for liberal values, can be recognized. Also, the depiction of the city of Zagreb on the film reveals the words of theorists who refer to terms that denote the city's effect on the individual, such as citizens' performance, the dual atmosphere of city life, melancholy when searching for the past, mixophobia and mixophilia, and the city as a place of isolation.

• Keywords: Zagreb; rurbano; modernost; film; grad na filmu; analiza narativa; Krešo Golik
• Keywords (english): Zagreb; rurban; modernity; film; city on film; narrative analysis; Krešo Golik
• Language: croatian
• URN:NBN: urn:nbn:hr:114:081786
• Study programme: Title: Journalism; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra novinarstva (magistar/magistra novinarstva)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-10-09 13:00:40